Haresh Shah

Every Picture Tells A Story

bythetrunkb

Its crispy cold December morning. The sun is shining bright outside and I am having my usual  Sunday breakfast of Shahmolette – so christened by Jan Heemskerk – our friend and at the time editor-in-chief of Playboy’s Dutch edition. Because in addition to mushrooms and onions, my recipe includes finely chopped, insanely hot Thai peppers and cilantro. Also our Sunday morning feast included freshly baked bagels from Skokie’s famous and the best in the world, Bagels & Bialys, and their home made cream cheese with chives. Carolyn is futzing around the kitchen when the phone rings. I hear her making a perfunctory but pleasant conversation with the caller. Not knowing or caring to know who she might be talking to, I flip the pages of that week’s Time.

‘Sure! He’s right here. Just a minute.’ She covers the mouthpiece of the receiver and mouths ‘Lee Hall.’

Lee Hall? That’s my boss. What is he doing calling me at home on a Sunday morning? It sure couldn’t be good news. I take the receiver and lean against the credenza by the phone.

‘Mr. Shah!’ I hear him say. Once in a while he would call me that endearingly. But still…

‘Sorry to bother you at home on Sunday morning – but as you know I’ve just returned from my far east trip and thought I fill you in on Hong Kong before things get crazy tomorrow morning at the office.’

A sigh of relief! ‘Sure. You want me to come over?’ I offer.

‘No that’s not necessary. But I was wondering if not too inconvenient, I could stop by at your place and we can talk over a cup of delicious masala chai. You know, my body clock is upside down and I am wide awake. Would do me good to take a ride along the lake.’

About an hour or so later, his unpretentious burgundy Chevy Malibu pulls up in front of our house in the Chicago suburb of Evanston. His tall frame stoops down on our relatively low sofa. As we sip on our tea he gives me run down on his visit with our Japanese publishers Shueisha.

‘They love you down there,’ he tells me and also compliments me on the job well done.

‘That brings me to Hong Kong. We are about to conclude an agreement with Sally Aw of Sing Tao Newspaper Group. I would like you to take a trip there at your earliest convenience soon after the holiday rush is over, and help them set up and launch the Chinese edition.’

Hong Kong!!! In The World of Suzie Wong! He tells me in detail about the two principles. Sally Aw and the Playboy’s publisher designate, dynamic Albert Cheng. He shares with me what he has jotted in his notes and gives me Albert Cheng’s direct phone number and asks me I should call him in a day or two and establish initial contact. It all sounds so wonderful that I am absolutely thrilled. But at the same time, I sense in Lee a certain amount of discomfort. Telling me everything in minute detail, almost stretching it, giving me a feeling that there is something else hidden behind all of that nervous energy and that he is somehow having hard time leading up to it.

‘Well, I have taken up enough of your family time on this weekend morning. I better be going.’

‘Not at all, we are delighted to have you in our home.’ I say sincerely. Following that he says his goodbye to Carolyn and thanking her for tea and probably pats Anjuli on the head and prepares to leave.

‘There is something else…’

‘Yes?’

‘Come on out with me. There is something I want to show you.  A bit confused and a bit curious, I follow him to his car. He opens the trunk to the car and lifts out of it what looks like a framed painting. He shows it to me. It’s a water color of an Indian temple perched atop a steep hill, with the stone stairs leading up. He rests is against the open door of the trunk and lifts up two more paintings. One that of an Indian village iron smith working on his anvil right outside of his thatched hut and another one, a bit modern-ish of a woman with an infant raised up above her head.

‘They are beautiful.’ I say. Thinking he is showing them to me because of their origin.

‘I acquired them when growing up in India. As you already know, my father was in diplomatic service in Delhi. I just love them. Makes me nostalgic about the times I spent in your beautiful country.’ The way he stares at them with such fondness demonstrates one of those rare emotional moments of his otherwise stoic demeanor.

Still not getting why he is showing them to me, I wait.

‘I would like to ask you for a big favor. If you can. If its alright with you, I would like to loan them to you.’  He must have noticed a confused look on my face.

‘See, the thing is; Sarah is decorating our new apartment and she absolutely hates them!’ I am speechless. I had of course known Sarah  and liked her the way you like your boss’ pleasant spouse. But other than when thrown together during the required company social gatherings, our talks never went past perfunctory pleasantries. Neither was I personally that close to Lee. Our relationship was congenial and warm but mainly based on mutual professional respect. Other than his foray in India, we also shared a common thread of both of us having worked at Time Inc., where he was editor-in-chief of Life en Espanol. He worked out of the editorial offices in New York and I think also in Paris and Tokyo. I worked in Time’s production offices in Chicago. Our paths had never crossed during our Time & Life days. Of his personal life, I knew only bits and pieces. That he was married before and had three kids and had been divorced – must not have been that pleasant. From his accidental comments, his relationship with his kids too seemed more obligatory than warm. That he have had a serious bout with alcoholism, which too I was only somewhat aware of at the tail end. But the ones who knew him better, would tell me that it was real bad until after he married Sarah. All of them were in agreement that it was Sarah who had helped straighten him out. And that she loved him and had been good for him. That she was the reason Lee has been and was dry for some time now.

They had just moved from their matchbox of a highrise on the North Lake Shore Drive to a vintage lowrise on the short strip at the curve of the lake on Oak Street, from whose windows you could practically touch the water. An elegant place. Sarah’s own domain. And as much as Sarah had done for him, even having mostly given up drinking herself and whatever else it must have taken for her to steer Lee in the right direction – and as much as Lee seemed to love her, giving up those three paintings was the least he could do for the woman who meant so much to him.

All that scrolled through the screen of my head as I heard him continue: ‘I would be grateful if you would agree to take them. This way I would know that they are in good hands and I am sure  that you and Caroline (sic) would appreciate and enjoy them. And whenever I feel homesick for them, I can always stop by and look at them.’

That was in 1985. I still have those paintings occupying very prominent spots in my apartment. Lee never looked back, never reclaimed them or visited to admire them. The sacrifice he made turned out to be worth his while, because Sarah and Lee remained happily married up until indeed death did them part. And now he is no longer among us. But when in 1997, I wrote about the incident in my book, Of Simultaneous Orgasms and Other Popular Myths: A Realistic Look at Relationships, as an example in the chapter titled, Little Things Make Big Differences, and sent him a copy of the book – he wrote back. Thank you for the dedication as well as the mention in the book (including the nicely disguised one about the Indian Paintings.)

© Haresh Shah 2013

Illustration: Jordan Rutherford

SISTER SITE

http://www.downdivision.com

Next Friday, February 29, 2013

BY THE TIME I GET TO AMSTERDAM…

Not every relationship problem is resolved by giving away paintings. There are times when the only solution is to go your own separate ways. Here is the story of a dramatic escape of someone not waiting until the death did them part.