Archives for category: The Netherlands

Haresh Shah

Of Pinot Noir And The Burlaping in Boonville

burlapping

The year is 1995 and talking of California wines to the Europeans is somewhat of a joke like the early transistor radios made in Japan were to everyone. Never mind that almost twenty years earlier on the day of America’s Bicentennial on July 4, 1976, the world’s wine experts were asked in a blind tasting to compare six California Cabernets and Chardonnays along with as many of Bordeaux and Burgundies and to everyone’s horror and American wine makers’  delight, California’s best stood shoulder to shoulder with the French on everyone’s scorecards, putting them instantly on the world map.

While the wine professionals of  Europe took a note of it, the wine consumers of the Continent remained oblivious to even their existence. Frustrated, California’s vintners decided, the time had come to make the world aware of the lush Napa Valley and its wines that were growing by leaps and bounds off the northern California Coast.

As a part of the broader push, California Wine Institute has invited the Dutch edition of Playboy to experience California’s wine country in all its glory, including its rapidly emerging cuisine and enjoy their steadily growing warm hospitality industry, in hopes that Playboy would take the message to its upscale demographics in Holland.

The editor-in-chief Jan Heemskerk himself takes upon the project and picks me to accompany him and assigns me to write a major piece for his edition. Not because by any dint of imagination I am a connoisseur or even an expert of wines, but because he thinks of me as someone who knows his wines, especially the ones from California.

He certainly doesn’t expect me to write something like what is on the back label of the 2011 Ménage à Trois I just picked up from the store: Ignite the romance with our silky, smooth Pinot Noir. Made with grapes from a trio of top California growing regions in a lush, fruit-forward style. It’s utterly irresistible. Bright cherries mingle with sultry violets and hints of toasty oak in a delicious slow jam on the palate. Whew! Enough to induce an instant wet dream!!!  Nothing like that. You haven’t picked a wine that I didn’t like. I’m obviously flattered and pleased. Not to mention all the fun we would have traveling together. Also to get out of Chicago’s bitter winter during the month of January is nothing to sniff at.

Over the next eleven days, we did the wineries of Napa Valley that included Sonoma and Mendocino counties. We met with the owners, wine makers, PR people and tasted a whole slew of what California had to offer in terms of wines paired to what has come to be known as California Cuisine, and enjoyed tremendously the hospitality of exquisite small, quaint and cozy boutique hotels, such as Vintners Inn and Medowood and others dotted along the wine trail. I hope to write of them in detail some other time, but the story I want to tell you today is that of the evening we spent with Pinot Noir farmers in the little hill-top town of Boonville.

With Ken Beck of Fetzer, a group of us drive up the long and winding mountainous route 128 to the place called The Sound Bite. It’s a down home all American small town restaurant and bar, complete with the pool table and serving very basic food. We have what looks and tastes like minced meat pie baked with a layer of mashed potatoes. The place is buzzing with the wine grape growers and winemakers of Mendocino County.  They have gathered here to present, taste and talk about their own Pinot Noirs, for which the region is renowned. More than any other varietal, they tell  us, Pinot Noir is very site specific if truly great wine is to be made.

Through the evening, we taste total of twenty one Pinot Noirs, including three sparkling varieties. The tasting is divided into six flights.  Each flight contains wines from three to four wineries.  Most of the wines presented are of ’93 and ’94 vintages and to our un-educated pallets they taste more like Beaujolais Nouveau.  For us, non wine-growers, the most interesting thing is to be among the wine farmers and the producers themselves, instead of the owners and the PR people describing their wares. The men and women we find ourselves surrounded by are the real farmers, they till the land, harvest the crops, press the grapes, make the wines and bottle them. You can see a definite parental pride and joy in their eyes as they fondly fuss over the wines that cross our lips and titillate our taste buds.

Of the five women sitting at our table of eight, four are grape farmers with their own Pinots, the fifth, Leisha is Ken’s daughter, and even though Ken too is a wine maker, he is with us as an observer – the other two men being Jan and I. Curiously, us three men are either married or committed, whereas all five women are apple heads–the Boonville slang for single women. I will call the four farmer femmes, Sally, Nicky, Christine and Mandy. They are all in their early to mid-thirties. Good looking even, in rustic sort of way. While they are dressed up for the evening, you could see and feel that they are true farmhands, wholesome and strong of toned muscles. After a couple of flights and after the ice has been broken between us, the women let their hair down and begin to educate us in the local secret language called Bootling.

‘You know what an apple head blanketing means?’ Asks Nicky. Seeing that we’re shaking our heads, she continues.

‘That means, a single woman getting laid. Like our Mandy here.’

‘Nicky! Please!!’ Mandy throws a faux embarrassment.

‘Actually she got burlaped, didn’t you Mandy?’ quips Christine.

‘What’s that?’ either Jan or I ask.

‘That means…’

‘No, don’t you dare! You are embarrassing me,’ squeals Mandy. Nicky throws a friendly wicked smile at Mandy and continues.

‘That means she got taken on top of a burlap bale,’ we see Mandy’s face turning water melon red.

‘Ouch, that’s got to scratch your sweet little booty good!’ It’s Christine again.

And while we are trying to imagine Mandy getting burlaped, the girls break out in a roaring chorus of a laughter, joined by Leisha and Ken, and then also by us while poor Mandy tries to hide her still reddening face behind the shield of her hands. The rest continue with how about, and throw at us some more Bootling slangs, such as Bucky Walter, Horn of Zeese, and Bal Gorms.  They mean public telephone, cup of coffee and good food.  And not to forget Madge and Moldunes meaning a whore and big boobs. Madge because in the days past, a woman called Madge ran the local bordello. Moldunes comes from the early Hippies that had migrated to the region and their women let their pendulums hang out and down – braless. There’s a story behind all of them and there even exists a book or two to keep the lore alive.  While we’re all having lots of laughs interspersed with different Pinots,  Sally somehow seems withdrawn, lost and a bit out of it. She is directly in the line of my vision and I can’t help but notice and observe the sadness settling on her face.

‘Poor Sally here, she’s sad tonight.  She just broke up with her boyfriend of  two years.’ Interjects Mandy, probably to shift the attention from her being blanketed on the burlap. But realizing that perhaps she has touched upon a raw nerve, the girls switch back to talking about their wines.

While I am busy conversing with Leisha, who’s sitting next to me, my attention keeps drifting to the sad face of Sally.  She is the runt of the group, perhaps even youngest and wears shorter hair that hugs closer to her neck. She has been quiet all evening long. She looks so sad that I feel she may just break down and cry. The passive pain of her face  makes you want to caress and comfort her. I see her excusing herself and slowly walking out of the restaurant.

‘She probably needs a smoke and wants to be alone for a while,’ says Christine. I wonder about Sally all alone outside the restaurant, smoking. Something draws me to her and I find excusing myself to go to the john and than casually step outside in the open. Sure enough, she is smoking, leaning against the hood of one of the parked pick-up-trucks.

‘Are you okay?’

‘Yes. Just needed bit of fresh air.’

We engage in small talk. I ask her discreet questions about her break up. She gives me a feeling of being welcoming to have someone to talk with. The night is crisp and clear, the stars are bright and the mountain air is refreshing. Our subdued voices waft in the air like mellow musical notes. The stray light illuminates and deepens the sadness of her face. Us both leaning on the hood, seem to have slid closer. A sweet whiff of her perfume and her gentle breathing feel somehow intimate. I imagine her face tilting and resting over my shoulder, sliding down and buried in my chest. Out lips are so close, fluttering.  We’re at that certain now or never moment of either sealing or quelling of our suddenly awakened ardor.

And then I think of Susan, two thousand miles and two time zones away in Chicago, probably sitting in front of a television.  We’ve now been together for more than two years. Something similar must have been going through Sally’s mind as well. We consciously and slowly retract and step back.

‘It was wonderful meeting and talking to you. Hope you write a nice article about the Pinots.’

I wait until the taillight of her pick-up disappears in the downhill slope.

●●●

I do write a nice article about the California Wine Country. I write a series of them. A few days before the Valentine Day, Susan and I are having Sushi at Kama Kura in Evanston. We both are quiet or making polite low key conversation to fill the void that seems to have dawned between us two since my return from California. I sense it, but can’t quite put my finger on the possible cause.

‘You’re too sophisticated for me.’ I hear her say. Right!

She obviously has given our relationship some serious thought during these days. We talk for the umpteen time the perception and reality –  misunderstandings and interpretations.  But we both know, there is nothing more to say.

‘You know, you’re right, I have middle class values,’ she concedes. I’m disarmed.

Two days later, its Sunday and two days before the Valentine Day. The night before I have cooked an elaborate Indian meal. We have washed it down with a bottle of Cuvee Fumé  Preston. We have spent another one of the most loving and passionate nights. We are sitting at the round glass top table in the breakfast nook of my kitchen. There are tears. No more words. Laying in the middle is a bouquet of a dozen champagne roses – more my style than the traditional red ones.

And then she is gone. Emptiness begins to fall like the fluffy snow flakes. Slowly accumulating and settling on the ground.

© Haresh Shah

Illustration: Celia Rose Marks

SISTER SITE

http://www.downdivision.com

You May Also Like

MY LATIN VALENTINE

MY SPRING VALENTINE

BOYS’ NIGHT OUT WITH PLAYMATES

MY INTIMATE ENCOUNTER WITH OYSTERS

THE DUTCH TREAT

The Site

ABOUT

TABLE OF CONTENTS

Next Friday, November 29, 2013

“HE’S A SON OF A BITCH’

That’s me they’re talking about. The question most asked of me time and time again is: How does one get a job at Playboy? Or more to the point: How did you get to work for them? Other than joking around, I have always avoided giving a straight answer to these questions – lest it may end up sounding like a boast.

Haresh Shah

Happiness Is A Piping Hot Croquette

automat

Art directors are a breed unto themselves. Crazy as they come. Crazy as in creative crazy, in positive sense. They are normally temperamental, egocentric and a proud clan. Starting with the Godfathers of them all, Art Paul and Tom Staebler of the U.S., Rainer Wörtmann of Germany, to Milan Hlaviček of Czech Republic and Andrzej Pągoski of Poland – these masters of the visual communication  are also the purveyors of good taste, dressed in their own individual style, be it the beat up pair of blue jeans, or wrinkled khakis and equally as wrinkled shirts and jackets. Or the designer suits and long fancy rain coats. The category in which, the first Dutch art director, Dirk de Moei falls.

Always impeccably dressed in his light crème suit and his longish off white trench coat, his trademark tortoise shell red framed glasses with inquisitive and confusing looking set of smoky green eyes peering through tinted lenses, Dirk is flamboyant, no taller that 5’9”(175 cms), his rusty brown hair isn’t too long, nor short, his round face makes him look no different than Mr. middle of the road from the planet earth.  The man of good taste in clothes and food and he carries the most expensive Smythson of Bond Street, thick as a paperback address book, he is the man about town. To the editor-in-chief Jan’s (Heemskerk’s) somber personality, he is the fleshy one of the duo that arrived in my Chicago office in early 1983, to learn the ropes.

As opposed to the editors with whom I discussed and disagreed on the ideas of the overall  content, I often butted heads with the art directors. Lucky for the editors that in most of the cases their texts were in a language I couldn’t read or understand. But I could see clearer the graphic ideas of the art directors and have an opinion of my own. And I would have ideas of my own to contribute. Art directors also being an emotional bunch and extremely possessive of their talents  would resist the most. When Dirk came up with the re-designed front of the book pages, splitting two or more rubrics on the same page instead of devoting a page each to Music, Books, Films and other sections, he was up against resistance from me. That’s altering the basic design and the format of the classic Playboy.  My job it was to preserve and guard them.

‘We neither have as much material, nor space and ads like the US Playboy to afford that kind of luxury. While the U.S. Playboy has an average of 230 + pages every month, we would l have about 130.’ Dirk throws a bewildered look in my direction.

That logic of his did it for me. Those pages looked nice, if a bit cluttered like a small Dutch house, where every single centimeter has to be judiciously utilized. The steep stairs with an incline only a slightly more than a stepladder against the wall, every nook and corner had to be used in the most productive way. Furthermore, his improvised design gave more editorial flexibility. Made imminent sense. In the end we would agree on a compromise, and from all our disagreements, the magazine benefitted the most. I thought of Dirk a couple of weeks ago when I saw the grand old dame The New Yorker’s, front of the book pages similarly split after 83 years of publication. Dirk did it with their issue # 0.

There was rarely animosity between us and we got along famously at and outside of the work.  Dirk was also the man about town and would be often consulted as to where we should go out for dinner.

So it is no wonder that Dirk wants to introduce me to the best of what Holland has to offer in terms of the culinary excellence. One evening, he picks me up from the hotel with his live-in squeeze Ans and we drive into the Dutch countryside to the restaurant de Hoefslag in Bosch en Duin. It is awarded no less than two Michelin Stars and its cuisine is known to stack up to any

I am flattered and I am curious. Really looking forward to it as Dirk builds it up how exquisite and exclusive the place is – not to mention how expensive! Soon as we walk in, Dirk and Ans are fussed over by the co-owner, chef Gerard Fagel who ran the restaurant with his brother Martin. We are given a prime table in the middle of the restaurant that allows us the generous panoramic view of the ample space that the dining room occupies. A bottle of champagne appears without being ordered and while the chef and Dirk are babbling away excitedly in Dutch, catching up, Ans and I look at each other like Alice and Alex in the Wonderland.

The dining room is spacious and airy. It’s lit just right with enhancing and highlighting plants and other inanimate objects. I am presuming that this is Ans’ first time also, from the way she surveys the place, as if in awe.

Now my memory is a bit fuzzy on the exact details of the meal we consumed over the next two or so hours. What I remember clearly still is that the appetizer contained of a diminutive quail egg topped with a spot of glistening Beluga caviar, resting on the bed of exotic looking mix of lettuce, and somewhere along the meal, no bigger than a Kennedy silver dollar in diameter and about two inches (5 cm) thick Filet Mignon crowned on the mound of various accoutrement and revolving bottles of champagne all through the meal. All served on shiny white plates, a smaller one nestled into a large service plate. Every course visually enhanced by the chef’s artistic skills.

It was a multi course meal and I am sure there were wine pairings. None of which I remember. But just to give you an idea, I have had my son-in-law Carlo Lamagna, who is currently the executive chef at one of Chicago’s top, Benny’s Steak House and was sous chef  at the elite, known for its  earth to table cuisine, North Pond, frequented by likes of Ricardo Mutti and Gérard Depardieu, make up the following sample menu of that night now thirty years later.

MENU

Amuse – trio of melon with balsamic and basil

1st course – vichyssoise, black truffle, chive baton

2nd course – quail egg, beluga caviar, frisee, garlic vinaigrette

3rd course – foie gras torchon, sauterne Gelee, brioche crouton

4th course – lobster poached in vanilla butter, celeriac puree, wilted spinach, sauce américaine

5th course – petite filet mignon, pomme puree, roasted chantrelles, marchand di vin

intermezzo – beet granite

6th course – vanilla creme brulee, mascerated raspberries

Yum! Or like the Dutch would say: lekker! We are properly wined and dined and are buzzing pleasantly with the champagne circulating through our veins like the chemicals scurrying in slow motion roller-coasters through the test tubes in a science lab, with bubbles and all. The only way I can describe it is: we’re feeling no pain as we say our thanks and goodbyes to the chef and the restaurant.

As we’re driving back in near silence, Dirk’s Alfa Romeo Sports is gliding along the tree covered roads and snaking towards Amsterdam, I hear Ans shuffling in her back seat and leaning forward.

‘So, did you like the meal?’

‘Of course. It was exquisite. Nothing like I have ever tasted before.’ And then I turn my face sideways to look at Dirk. He’s wearing a smile of satisfaction. Then I turn around and face Ans.

‘But you know? I’m still a bit hungry!’

‘You are?’ She doesn’t come out and say what I read on her face.

‘Aren’t you?’

‘To tell you the truth, yes, I am a bit too.’ I hear a not very happy grunt coming out of Dirk’s throat.

Just having vocalized what my stomach is telling me, gurgling, I come out and say what I am thinking.

‘You know what?’

‘What”?’

‘A fresh hot chicken croquette with mustard would taste really good right now!’

‘I think so too,’

‘Let’s stop for one. My treat!!’

What I see clearly on Dirk’s face is utter disgust at us two ungrateful creatures. And yet, he suddenly exists the dark avenue we have been traveling on and within minutes is pulling up at an all night automat. At the  first bite of the piping hot croquette, both Ans and I feel we died and went to heaven. Dirk refrains from having any.

He has just plunked down hundreds of guilders on wining and dining us.

© Haresh Shah

Illustration: Celia Rose Marks

SISTER SITE

http://www.downdivision.com

Other Food & Wine Stories

BOYS’ NIGHT OUT WITH PLAYMATES

MY INTIMATE ENCOUNTER WITH EROTIC OYSTER

HOLA Y ADIOS AMOEBAS

Next Friday, October 18, 2013

MY FATHER’S SECRET STASH

When my father died, he left behind a trunk full of personal stuff containing of things that were near and dear to him, mainly several watches that he wore through his lifetime, gold cufflinks and shirt buttons, several bottles of partly or barely used men’s fragrances, among them a bottle of Playboy fragrance, several little bottles of herbal attars, fancy pocket handkerchiefs and such, which my mother wanted us four brothers to have. Since I was coming home soon, my brothers decided to wait to open it when all four of us would be together. But they had gone ahead and taken a quick peek…