Archives for posts with tag: Andreas Odenwald

From Irish Eyes To The Razzle Dazzle

Haresh Shah
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The year before, Helga and Fred Baumgärtel (Mr. Playboy of the German edition – retired by then), Gudrun (Thiel) and myself  had gone to the Oyster Festival on a private trip. On the second day or so, Gudrun suggested PLAYBOY-Germany organize an Anzeigen-Meeting for next year’s festival. The participants, so she predicted, would sure be thrilled. I can still see her sitting by the portside, a glass of Guinness in her hand,  warming to the subject, as it were, while developing this wonderful idea. And so it happened.

Reminisces Andreas Odenwald – the editor-in-chief of Playboy Germany at the time. And I happened to be one of the dozen or so to join Germany’s top advertising executives who were invited with their partners to spend a long weekend in Ireland and experience the annual Oyster Festival. I don’t remember having eaten many oysters there, but drinking lot of Guinness to be sure.

We all meet up in Dublin and check into Gresham Hotel. That night Andreas and I stay up until three in the morning. Earlier, our guide, an attractive blonde, Clare Finnegan shows up and Andreas and I promptly develop incredible crush on her. That night sitting in the bar named Night Train, I hear a pretty and pretty drunk lady calling out: Hey handsome devil! Could have been for Andreas because he is certainly better looking, tall and handsome. The next day, it’s onto Shannon and Fitzpatrick’s Hotel. Late night again.

The morning after, Clare leads us to Galway and soon after we check into Ardilaun Hotel and  to the Oyster Festival. The day is cold and windy. The only way to stay warm is bar hopping. What I remember vividly is that I urged you all to follow me into the pub “King’s Head” the history of which had thrilled me the year before. Myth has it that the tavern was given by Oliver Cromwell’s people, to one Richard Gunning as a reward for beheading King Charles I in 1649.

When that’s not enough to keep us warm, Andreas and I pop into a clothing store and buy ourselves identical plaid flannel shirts – forming what I have come to call Plaid Brothers. We watch the Oyster Festival parade and admire the Oyster Queen Maeve. There is a gala banquet at Great Southern Hotel, which is where it all began back in 1954. Held there is the ceremony and crowning of the Queen. We have a Playboy table up onto the balcony. When everyone is properly fed and drunk, Maeve floats from table to table spilling her sweet smiles, hugging some of us. As she grazes my neck with hers, I hear her say: I would like to take you home with me. Wow! I am 53, and she is, what? Eighteen. I guess they grow them differently in Ireland!

It’s raining that night and it’s as late as the previous nights. Clare has plans to get us up earlier in the morning and take us to show another Irish landmark. We’re all dreading it. But she is duty bound and insistent. She offers sweetly to even be our wake up call. Still, we strike a compromise. It’s a no go if it’s still raining. We all go to bed praying for rain like the drought ridden farmers in India. The phone rings at seven. It’s Clare crooning softly: I’m singin’ in the rain.

Two days later, I am sitting in the restaurant Casserole in Munich with Andreas and his deputy Bernd Prievert. Andreas and I are still savoring our weekend in Galway and begin to talk about how we can do something similar the next year, but on a bigger scale to celebrate the 20th anniversary of Playboy in Germany.

Within three weeks Andreas is fired. Our partners Bauer Verlag replaces him with Wolfgang Maier. Sad, but that’s how the corporate roller coaster turns. I miss soft spoken and suave Andreas, who had also become a good friend. Now I am subjected to deal with loud and arrogant Wolfgang. Which is a bit difficult. Because he is pure and simple defiant.

He has a vision to turn back the tide of the declining circulation and the advertising revenues. Whatever his claim to fame, I haven’t seen one ray of hope in his ability to do that. His resume looks like hop, skip and jump. He has his own image of Playboy, which has almost no relationship to the magazine Hugh M. Hefner created forty years earlier. My job it is to make sure that each foreign edition, even in it’s diversity retains certain salient features of the mother edition.

Not that I haven’t butted heads with the others, but at the end of the day, we would have always managed to come to a mutually acceptable and satisfying compromise before moving forward with our combined ideas. Not so with Herr Maier.

‘I will make us all so much money that neither Chicago nor Hamburg (Bauer Verlag’s headquarters) would have any reason to complain!’ He once tells me condescendingly, as if handing a bag of candies to a little kid to pacify him.

By the time twentieth anniversary rolls in in August 1992, we have established some semblance of working relationship. The anniversary issue and its celebration is pushed off a month to accommodate the return of the Europe’s vacationing advertising executives. In the meanwhile, the event has been hyped and built up to be the happening of the decade – the self proclaimed BIG BANG affair.

For the first time three of us U.S. Playboy executives are going to be attending the party. So is the top brass from Hamburg. We are assembled in Munich’s newly opened City Hilton on Rosenheimerstrasse. I have just flown in from Chicago. Playboy’s Publishing Group President Mike Perlis and the divisional marketing director Henry Marks too may have already landed from New York and should soon be on their way in. Also joining us is Ivan Chocholouš from Prague.

This landmark anniversary means more to me personally than to anyone else present. As far as I can tell, I am the only one who was there as a part of the German team almost from the very beginning. Several editors and art directors and advertising directors have come and gone and as the reality of the corporate life goes, none of the past creators of the magazine have been invited.

The event is held in two of the big glass houses of Munich’s Botanikum. Set up in the Theaterhaus are various arcade games with pinball machines and the popular fuss Bal, the games room made in the image of Playboy Mansion West, but roomier and more dramatic with the multi-colored track lights beaming down from the ceiling high up above.

The adjacent Grashaus with the slanted glass roof and the glass side walls are lined with the panels of white fabric and is set up like an elaborate and lavish tent in the desert. The atmosphere in it is a bit more relaxed and is set up for mingling and eventually would serve as the dining room. It is decorated with tall potted plants, huge white cushions placed on the ground in circles around cloth covered very low square tables. The ground is the naturally grown lush grass lawn. Wafting from the piped in music are soft tunes and the chirping of the birds. It’s to be the Garden of Paradise  à la the Sheikhs and the Pashas.

Creation of Bettina and Heinrich Bunzel, the Botanikum is conceived to seamlessly blend together the humans, the art and the nature in an urban setting of North Western Munich. We too have good memories of the Playboy event in our green houses. It was one of our first big party at the Botanikum. Herr Bunzel fondly remembers, reminding me of the long forgotten details about the venue. The photos he was kind enough to send me shows how much planning and work went into preparing the two green houses for the events. The result is absolutely spectacular.

Invited are who’s who of the industry, pre-dominantly the top executives of Germany’s advertising world. The party is to impress upon them that the new & improved Playboy under Wolfgang Maier’s helm was just the right vehicle to showcase their luxury cars, higher end liquors and no-one can afford brands of watches, computers, electronic gadgets and other toys for the grown up boys.

We make our way to the venue, dressed formally in our evening best. The low tables and sitting on the pillows on the ground is not something we’ve anticipated. But the first hour or two are us standing, cooling our hands with the chilled glasses filled with champagne and other beverages. Scurrying around, serving drinks and appetizers are not the ubiquitous Playboy Bunnies, but equally as young, curvaceous and pretty women dressed in billowing multicolored loose and transparent pants, thin see through scarves wrapped around their heads like Gypsies and tight fitting tops over their bare midriffs like that of the belly dancers.  The band of them scuffling and delicately negotiating their prancing in the middle of us conjures up the image of the Houris – the sex slaves of the paradise, made to descend to the earth to entertain every whim of the men on earth and make themselves available in total submission. As Naomi Chambers describes in her article Houri – The Islamic Sex Slave In Paradise: When he (her master-husband) tells them to bend over – they must bend over. When he tells them to open wide – they must open wide.

They have hired professional models to do the job. The girls are obviously beautiful with near perfect bodies. Just like Ms. Chambers quotes from numerous Hadiths and Quranwhitish virgins, beautiful with tight transparent bodies, wide eyes, of the firm pointed breasts and permanently Brazilian waxed pussies. Their bling adorned curves make pleasantly soft jangling sound and throw back the blinding rays at the every move they make. There is a sudden hush in the air, appreciation even and wonderment. Probably because we are still in the process of deciding whether or not we like what we see. And if the tableau reflects what Playboy as a magazine and the lifestyle should project. Not to mention the misogynist message the event would communicate.

But we file away those thoughts because while we’re getting drunk without realizing and beginning to feel the chill in our bones, for the unseasonably cold air outside has permeated through the glass walls and it has suddenly turned cold and we’re all starving and yet there is no sign or whiff of the food wafting our way. They are having some logistical problems transporting our dinners from wherever and then having to keep it warm.

Now we are seated on the floor, cross-legged. Soon our legs begin to go numb and some of us begin to feel the cramps ripple all the way down to our feet. We wiggle and shift our weight from one hip to another – change positions. We try to keep each other amused for a long while before we see the Houris  parading down the aisles towards our tables with the large trays perched atop the palms of their hands. They are having hard time negotiating the open spaces and balancing the plates while trying to avoid tripping on the flowing fabric of their loose pants and managing not to be blinded by the scarves flailing over their heads. Absolutely amazing how they successfully avoid dropping one or more of the plates and gracefully place them on the barely two feet high tables.

We all take a collective breath of relief and like famished Neanderthals tackle the feed. Just to find out that the gourmet dinner was barely lukewarm. We gorge it down nevertheless – or could be that that we may have stopped at the City Hilton’s all night cafeteria and grabbed ham and cheese sandwich and beer? But I certainly didn’t.

By the time I make it to bed, it is four in the morning. Famished, disillusioned, jetlagged and absolutely drained, I immediately fall asleep. I have seven o’clock breakfast meeting with Mike and Ivan before I depart with Ivan on a several hours drive to Mariánské Lázně in Czechoslovakia and get ready for that night’s reception for Playboy sponsored fund raiser.

Charmed life indeed!

© Haresh Shah 2014

Illustration: Celia Rose Marks

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Next

CHRISTMAS BREAK FOR TWO WEEKS

Playboy Stories to return on Friday, January 09, 2015

TENDER LOVING CARE

The winter of 1983/84 in Chicago was as severe as the one we had in 2013/14. The mounds of snow on the ground. Constant sub-zero temperatures for days on end. The cars wouldn’t start. Our radiator freezes and cracks. And one of my office plants is frozen stiff.

Haresh Shah

Tempting Eve To Tempt Adam

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It’s the early spring weekend in 1989. I get a hurried phone call either from our German editor-in-chief Andreas Odenwald or most likely at his direction, from Christian Seidel, his PR person. German edition has just published the cover and the nude pictorial of Michael Jackson’s baby sister La Toya Jackson, originated in the US, (March 1989). Her rock video Stop the Madness is just released and she is making waves in the media for having posed for Playboy. The TV channel SAT 1 has approached our German editors, telling them that they have a slot available that weekend on their super popular Saturday night talk show, Nase vorn (literary Nose up Front/ Way up Front) hosted by Frank Elstner, and they would like to offer it to Playboy if they could get La Toya Jackson to appear on the show.

We are in luck, because just recently Jack Gordon, La Toya’s husband and the manager had stopped by in my office to talk with me about just such a possibility overseas. So I get on the line and call Jack. A series of frantic phone calls ensue across Chicago, New York and Munich. They want first class passage, adjoining executive suites in a five star hotel. Limousine pick up. The usual celebrity stuff. All arranged with the lightening speed by our German team. They are picked up by Christian in his BMW 735 and brought to the hotel in Saarbrücken, from where the show is broadcasted. The live transmission is to go on air within hours when La Toya drops the bomb. She had to have a live boa constrictor to accompany her on the show!!! An eleventh hour curve ball. But nothing our Playboy team in Germany couldn’t handle. A call to the Frankfurt Zoo, and voila.

La Toya makes her dramatic entrance bursting out from behind the oversized split Playboy cover featuring her close up, holding in her hands the giant reptile snuggly stretched out under her ample bosom. She is seated across from the host Elstner at a small round café table with the bubbles in the champagne flutes rising and the Boa resting peacefully across her lap all through the interview, like a baby at its best behavior . The show goes on without a hitch. Post show, she poses with the guests, the Olympic Gold Medalist Figure Skater,  Katarina Witt and the rock star Udo Lindberg and Oscar Lafontaine – the Minister President of the state of Saarland and the Playboy editor Ulrike Blass. Everyone endures the presence of her bosom buddy. But from what I heard from the German editors on Monday morning, that even so, the crew and the host were all in awe of their disquieting guest. If a  bit scared, they managed a brave face and safe distance from it – just in case. The show went on the records as being one of the most watched with 19.5   million viewers. Ulrike said later that for an international celebrity such as La Toya, she didn’t put out any airs and before parting, she told her that she had really enjoyed her trip and the experience and asked politely if she might be invited again sometime in the future.

Her pictorial contained a full page shot of her with her holding the boa, his body squeezed between her legs and his head winding down and resting on her hip. She is holding him with both of her hands, her eyes closed, lips slightly parted as if having an orgasm. The caption accompanying that shot said: I love snakes. I had hoped to do a shot all covered with snakes; I was kind of disappointed there was only one.  

Two and a half years later, (November 1991), she poses again for Playboy to coincide with her memoire La Toya: Growing Up in the Jackson Family. This time around, the pictorial includes two page spread of boa constrictor, one slithering all over her body, between her legs, winding its way up to skirt her breasts and raise its head between them. Reminiscent of the famous Nastassja Kinski billboard, shot in 1981 by America’s master photographer, Richard Avedon. In another one, she is sticking out her tongue at him almost licking him on the mouth with teasingly playful expressions on her face.

That reminded me of the time some years earlier when my secretary Teresa (Velázquez), all wound-up, reported that they had brought in a couple of boa constrictors to the Playboy studio, waiting to be photographed with the Playmate Ruth Guerri (July 1983) as a part of an erotic fantasy pictorial.  It was an eerie feeling to think that slithering around merely two floors above were deadly, slinking and sliding, coiling and un-coiling creatures. As it turns out, there was only one of them. But still. This is how the photography director  Gary Cole remembers the shoot: Steve Wayda did the shot for a photographer’s erotic portfolio pictorial. I was in the studio and I can tell you that Ruth really got into the shoot, so much that both Steve and I were scratching our heads. I don’t think it was a coincidence that God chose a snake to tempt Eve .Upon further inquiry, Gary elaborates: There was only one snake and yes, it was boa constrictor. I kept it in my pants. (Only joking.) The snake owner brought it in a ventilated box. It had been fed just to discourage any idea it might have about taking a bite out of Ruthie. I believe the snake enjoyed the shoot as much as Ruth did. I believe Steve had similar experience with La Toya and the snake. Naked women and snakes seem to get along. I guess so. And about the snake being fed, the first time around posing with one, the question La Toya asked was: when it had been last fed? Once they told her that a couple of days earlier, so I wasn’t worried. Boas aren’t dangerous unless they’re hungry.

And then comes Britney Spears with her 2001 MTV performance of I’m A Slave 4 U with the snake, perched atop her neck and dangling form her extended arms. And considering that there are whole slew of other women and models enamored with snakes of all kinds and shapes, I can’t  help but wonder – what’s it with the beautiful women stretched out naked in all their glory and frolicking with the slithering beasts that scare me even to look at  and even when they are doing their swarming and swishing behind the safe glass walls in an aquarium. The simple answer comes from Dr. Freud himself – the phallic symbol.

But there’s got to be more to it.  This is Gary’s Biblical explanation: According to Christian scripture, the forbidden apple was God’s way of testing Adam, to insure that he would be obedient to God’s commands. The snake was the incarnate devil, the ultimate symbol of evil. And he worked his magic through a woman…since we all know that women are the ultimate downfall of men. The phallic implication  is too strong to ignore.

And still it nags at me. Why did God choose a snake? I mean he could have sent a cuddly rabbit or a little kitty cat, even a sad faced puppy to make Eve go gaga over it and still do her magic. Like among other things; femme fatal in India is often called Nagin – the she cobra. Within Indian mythology, when God found himself in the similar predicament, he would send down from heaven one of this top apsaras. Those celestial beauties are gorgeous, irresistibly sensual and  exceptionally talented in the art of seductive dancing.  And when they dance, their heads and their bodies sway in fluid and languid motion just like that of the cobra charmed by the snake charmer. Both of them in the process of mesmerize and be mesmerized.  A definite downfall of the mere mortal male of the species. And guaranteed to break the deepest samadhi of even the most devout Yogi. Why go through an intermediary?

© Haresh Shah 2013

Illustration: Celia Rose Marks

SISTER SITE

http://www.downdivision.com

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Next Friday, June 28, 2013

ALL ABOUT THE WILD PARTIES AT PLAYBOY

You will hate me for shattering your image of the wild parties you have seen on the TV and featured on the pages of Playboy magazine. May even begin to see some virtue in the saying: the ignorance is indeed a bliss.

.

Haresh Shah

From Sleazy Sex Show To The Celebration Of Suave Saxophonist’s 50th

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When I was based in Munich, it wasn’t unusual for me to start my day with breakfast in Munich, have lunch in Essen and land in Paris just in time for dinner and the next evening have dinner in Milan. Georg Kührer of the printing house Girardet once observed: you hop on and off the plane more often than I do a bus. Amazing. But true. Even so, the eleven days I remember the most about my relentlessly on the go happened years later when I was living in Chicago. What to me is mind-boggling still, is the intensity of those days, being in constant motion and deprived of sleep. And I don’t even drink coffee, let alone take any other stimulants. I thrived on the natural adrenaline and the high I got from interacting with people.

I began my journey in Chicago on the afternoon of Thursday, October 15,1992, arriving in Budapest the next morning.  I loved the way the airlines wine and dine you in the front of the plane on their intercontinental flights. No phones ringing, nowhere you can escape. I am not for watching movies or doing any real work on planes. Reading yes. But mostly what I love the most is to really let my hair down, enjoy the treats, perhaps snooze a little bit and arrive at my destination, if not well slept, quite relaxed.

My weekend visit had a certain urgency about it. Our original publisher, Dezso Futasz  had decided to get off the rat race, but was conscientious enough to bring a group of people, headed by Geza Panczel of Interart Studio  to take over the Hungarian edition. All three parties had agreed on the terms of transfer, contingent upon me approving the new organization. So I plunged right into the process soon after checking into the hotel. Meeting after meeting after meeting and then dinner at one of the new partners’ home, is how the day went.  Just before the dinner, Dezso had bowed out, leaving me in the care of Geza and his associates. After dinner, the last thing I wanted to do on that night was to go out to Bangkok – a topless bar. Hoping I would catch up on sleep the night after. But no such luck. Instead I found myself sitting on the edge of the stage at the place called Caligula. Caligula was nothing like anything I had ever experienced before. It featured explicit live sex that contained lot of rubbing, slurpy oral sex and frequent copulation – all of that happening just a few feet away from your nose. I don’t know what they were thinking, but that in itself should have been a reason enough for me to disqualify them. If this was their image of Playboy, what would they do to the edition once they got their hot hands on the license to publish the magazine? Sexually oriented yes, but how could I possibly trust them to produce the lifestyle magazine of the highest editorial standards?

So it had to be Dezso pursuing me with a gentle pressure, Geza and his associates putting forth their best foot. In sharp contrast to our social outings, I was quite impressed by their current offices and the publishing activities, which mainly contained of fine arts and literary books. Their offices had more of a feeling of a somber English library than the one bustling with the young men about town.  They seemed serious contenders.  And how can you not like Geza? A low key intellectual who looked so much like Jerry Garcia of the Grateful Dead  that I fully expected him to break out and begin singing  to lay me down, one last time. Plus, he took me home to his mother Idolka’s house for lunch next afternoon and then we had dinner at the restaurant owned by the group – the pizza joint called M*RXIM, with the A spelt with a red Russian star in defiance of the just fallen communism. The place was extremely popular with the young set.  Having been around in the former Iron Curtain countries good part of three years, I had observed that the sudden freedom had brought out the dormant entrepreneurship of their people and they were game for anything that would make money.

I wrapped up my visit to Budapest with an optimistic outlook.  More urgently waiting for me in Warsaw were my Polish publishers Beata Milewska and Tomasz Zieba. Only three weeks away from launching my third edition in the Eastern bloc. The content needed to be finalized,  plans for the launch revised and action plan put into place. This phase of launching of the new edition has always been the most exciting. With all that hard work behind us, now we had to make things happen. It was a feeling similar to that of an actor’s anxiety just before the curtain rises. Gave me a chance to get to know Beata a bit more. A dynamic young lady who would become one of the most successful publishers of Playboy family. Her partner in the venture, Tomasz accompanied me to Prague to pick up pointers from Ivan Chocholouš, the managing director of the Czech edition, who had very successfully launched  the magazine merely a year and a half earlier.

It’s already Friday, eight full days since I left Chicago, and not one single night I have had good eight hours sleep. And the real challenge of this trip still lies ahead of me. In order for me to succeed, the Murphy’s Law had to work to the perfection in the reverse order. Anything that can go right, will (must) go right.

Just imagine this: I depart Prague at 11:00 on Saturday and am scheduled to arrive in Frankfurt at 12:20.  I have forty minutes to connect to the flight to Hamburg. Having arrived from Czechoslovakia meant I would have to go through passport control and negotiate my way through the sprawling monster – that is Frankfurt International Airport – to get to the domestic departure. But I make it, just in the nick of time. I arrive in Hamburg at around 14:15. Since my baggage is checked in from a non-EU country, however perfunctory, it is still subject to the customs inspection.  I have the train to catch at 15:29 from Hamburg Altona to Westerland-Sylt. To make it across the city to the train station in just less than an hour in the afternoon traffic in itself is daunting. But I just can’t afford to think in those terms. Because I have promised my dear friend and fellow Scorpio, Andreas Odenwald – ex-editor-in-chief of the German edition, that I will be on the island of Sylt for his 50th birthday celebrations.  And so I am. I make every connection, tight as they were.  If that meant me sprinting from one plane to another, nervously rubbing my hands together while the cab sped along Hamburg streets, buying my ticket and making onboard the train just minutes before it slithers out of the platform. Arriving triumphantly in Westerland-Sylt on time at 18:17.

Andreas is waiting  for me on the platform. He gives me a hug: amigo! He says. Hotel Stadt Hamburg – where the shenanigans has already began – is only a short walk from the station.  I check in, park my suitcase in my room and come down for a quick beer and greet everyone who’s there. There are about fifteen to twenty guests occupying the dining room. Some of them I already know. Andreas’ life-long partner, Gudrun Thiel, Rainer Wörtmann and his wife Renate. And I see two very pretty ladies, they look quite familiar, but am not sure. They both smile at me and go, Eva Peters, Bettina von Beaust.  Of course. They must realize that my memory of them was from 1975, when both of them were ever so schlank, so their now Bottero-esque figures have me confused. But they seem comfortable in their evolution, which puts me at ease. There is no one else I recognize or remember, except in my agenda, there is a little note that says: meet Brigitte – interesting!  And like the saxophone aficionado – the birthday boy would have said: let the good times roll. And so they do. Between apèritif and digestif, the delicious home-made pasta with button mushrooms and wild duck in pepper crème sauce are washed down with appropriate wine pairings. And still waiting eagerly is the birthday cake with the colorful saxophone motif.

The clock is already ticking beyond 03:30 in the morning. I have the train to catch at 05:50 to take me back to Hamburg. Waiting for me at the station would be Michelle and Rüdiger, with whom I will have  breakfast before catching the Lufthansa flight at 10:45 to Frankfurt, connect with their Chicago bound flight at 13:00, and in the evening meet up with our visiting Dutch publisher, Meinard Carper and his advertising director, Auke Visser.

‘I guess, I can take a quick nap and a shower before catching that train.’ I say to no one in particular. By then all of us are wasted and more than ready to hit the sack. But nope! Leave it on Rainer.

‘It doesn’t make any sense to go to bed now. How about another bottle of champagne? And then we’ll walk you to the station.’

‘Warum nicht?’ I answer, as if on auto pilot. And I see a wide smile cross Rainer’s big square face, made it cuter by dimples on his shriveling cheeks and his small baby teeth. As if saying: That a boy! So we order another bottle. At around five thirty, I go upstairs to my room, pick up my suitcase, pay DM 230.- (approx. $115.-) for the room and whoever is still around, practically roll me back to the station and wave until the train slides out of the platform in the early morning fog.  One would think there would be nobody on the train that early on a Sunday morning. But there is a group of rambunctious youngsters. So I upgrade myself to the first class, slide doors shut, pull the curtains close and crash like a sand bag.

I have always loved trains at the night and the rhythm of their synchronized motion.  It lulls me to deep sleep almost right away. Relaxed, exhausted and deprived of  sleep all week long, I slip into a comfortable semi-coma. When I regain consciousness, all I sense is the total darkness and the pin drop silence. The train is stand still. Probably waiting its turn on the embankment, I think. Not even a peep, nor a sliver of light coming through.  Now I feel the train moving a little bit. And then I feel it stopping, suddenly. Following that, there is a loud thumping on the locked doors of my compartment.

Hamburg, Hamburg. End station. Bitte aussteigen.’ I am not sure, if this is real or it’s a dream. But the knocking continues, like the pounding of a heavy hammer. I spring up like  Jack in the Box. Disoriented no more, I slide the curtains and open the door.

‘Gott sei dank. Sie sind da. Hamburg. Aussteigen sie bitte.’  Seeing me well and alive, the conductor looks relieved. Frazzled, he tells me that if not for my friends on the platform, I would have ended up at the nearby train depot, nestled between half a dozen other idled trains. As I emerge from my car, Michelle flashes her sweet dimpled smile. They scurry me over to the airport right away. I check in first and then we sit in a café to have some breakfast.

No dramas or the time crunch with connecting in Frankfurt. We land in Chicago on time at around three in the afternoon. It is past four when I make it back home. I set the alarm and stretch out on my soothingly warm water bed. I am picking up Meinard and Auke for dinner at 19:30.  I feel energized as I walk to the garage. I put the key in the ignition of Nora Nissan,  as I call my car. The engine squawks, as if in excruciating pain and I hear the fan turning once or twice. And then the hood shudders sideways and pfffft. Sudden death!   

© Haresh Shah 2013

Illustration: Jordan Rutherford

SISTER SITE

http://www.downdivision.com

Next Friday, March 29, 2013

THE STORY OF MY TUXEDO

Up until then I had successfully avoided having to buy my own tux. Cheap? Also. Cultural antipathy? Maybe. But mainly because I never saw any sense in owning something that I would wear less times through my entire life than I could count on my fingers. And I could always rent one if I must.