Archives for posts with tag: Fred Baumgärtel

From Irish Eyes To The Razzle Dazzle

Haresh Shah
haremgirl_2

The year before, Helga and Fred Baumgärtel (Mr. Playboy of the German edition – retired by then), Gudrun (Thiel) and myself  had gone to the Oyster Festival on a private trip. On the second day or so, Gudrun suggested PLAYBOY-Germany organize an Anzeigen-Meeting for next year’s festival. The participants, so she predicted, would sure be thrilled. I can still see her sitting by the portside, a glass of Guinness in her hand,  warming to the subject, as it were, while developing this wonderful idea. And so it happened.

Reminisces Andreas Odenwald – the editor-in-chief of Playboy Germany at the time. And I happened to be one of the dozen or so to join Germany’s top advertising executives who were invited with their partners to spend a long weekend in Ireland and experience the annual Oyster Festival. I don’t remember having eaten many oysters there, but drinking lot of Guinness to be sure.

We all meet up in Dublin and check into Gresham Hotel. That night Andreas and I stay up until three in the morning. Earlier, our guide, an attractive blonde, Clare Finnegan shows up and Andreas and I promptly develop incredible crush on her. That night sitting in the bar named Night Train, I hear a pretty and pretty drunk lady calling out: Hey handsome devil! Could have been for Andreas because he is certainly better looking, tall and handsome. The next day, it’s onto Shannon and Fitzpatrick’s Hotel. Late night again.

The morning after, Clare leads us to Galway and soon after we check into Ardilaun Hotel and  to the Oyster Festival. The day is cold and windy. The only way to stay warm is bar hopping. What I remember vividly is that I urged you all to follow me into the pub “King’s Head” the history of which had thrilled me the year before. Myth has it that the tavern was given by Oliver Cromwell’s people, to one Richard Gunning as a reward for beheading King Charles I in 1649.

When that’s not enough to keep us warm, Andreas and I pop into a clothing store and buy ourselves identical plaid flannel shirts – forming what I have come to call Plaid Brothers. We watch the Oyster Festival parade and admire the Oyster Queen Maeve. There is a gala banquet at Great Southern Hotel, which is where it all began back in 1954. Held there is the ceremony and crowning of the Queen. We have a Playboy table up onto the balcony. When everyone is properly fed and drunk, Maeve floats from table to table spilling her sweet smiles, hugging some of us. As she grazes my neck with hers, I hear her say: I would like to take you home with me. Wow! I am 53, and she is, what? Eighteen. I guess they grow them differently in Ireland!

It’s raining that night and it’s as late as the previous nights. Clare has plans to get us up earlier in the morning and take us to show another Irish landmark. We’re all dreading it. But she is duty bound and insistent. She offers sweetly to even be our wake up call. Still, we strike a compromise. It’s a no go if it’s still raining. We all go to bed praying for rain like the drought ridden farmers in India. The phone rings at seven. It’s Clare crooning softly: I’m singin’ in the rain.

Two days later, I am sitting in the restaurant Casserole in Munich with Andreas and his deputy Bernd Prievert. Andreas and I are still savoring our weekend in Galway and begin to talk about how we can do something similar the next year, but on a bigger scale to celebrate the 20th anniversary of Playboy in Germany.

Within three weeks Andreas is fired. Our partners Bauer Verlag replaces him with Wolfgang Maier. Sad, but that’s how the corporate roller coaster turns. I miss soft spoken and suave Andreas, who had also become a good friend. Now I am subjected to deal with loud and arrogant Wolfgang. Which is a bit difficult. Because he is pure and simple defiant.

He has a vision to turn back the tide of the declining circulation and the advertising revenues. Whatever his claim to fame, I haven’t seen one ray of hope in his ability to do that. His resume looks like hop, skip and jump. He has his own image of Playboy, which has almost no relationship to the magazine Hugh M. Hefner created forty years earlier. My job it is to make sure that each foreign edition, even in it’s diversity retains certain salient features of the mother edition.

Not that I haven’t butted heads with the others, but at the end of the day, we would have always managed to come to a mutually acceptable and satisfying compromise before moving forward with our combined ideas. Not so with Herr Maier.

‘I will make us all so much money that neither Chicago nor Hamburg (Bauer Verlag’s headquarters) would have any reason to complain!’ He once tells me condescendingly, as if handing a bag of candies to a little kid to pacify him.

By the time twentieth anniversary rolls in in August 1992, we have established some semblance of working relationship. The anniversary issue and its celebration is pushed off a month to accommodate the return of the Europe’s vacationing advertising executives. In the meanwhile, the event has been hyped and built up to be the happening of the decade – the self proclaimed BIG BANG affair.

For the first time three of us U.S. Playboy executives are going to be attending the party. So is the top brass from Hamburg. We are assembled in Munich’s newly opened City Hilton on Rosenheimerstrasse. I have just flown in from Chicago. Playboy’s Publishing Group President Mike Perlis and the divisional marketing director Henry Marks too may have already landed from New York and should soon be on their way in. Also joining us is Ivan Chocholouš from Prague.

This landmark anniversary means more to me personally than to anyone else present. As far as I can tell, I am the only one who was there as a part of the German team almost from the very beginning. Several editors and art directors and advertising directors have come and gone and as the reality of the corporate life goes, none of the past creators of the magazine have been invited.

The event is held in two of the big glass houses of Munich’s Botanikum. Set up in the Theaterhaus are various arcade games with pinball machines and the popular fuss Bal, the games room made in the image of Playboy Mansion West, but roomier and more dramatic with the multi-colored track lights beaming down from the ceiling high up above.

The adjacent Grashaus with the slanted glass roof and the glass side walls are lined with the panels of white fabric and is set up like an elaborate and lavish tent in the desert. The atmosphere in it is a bit more relaxed and is set up for mingling and eventually would serve as the dining room. It is decorated with tall potted plants, huge white cushions placed on the ground in circles around cloth covered very low square tables. The ground is the naturally grown lush grass lawn. Wafting from the piped in music are soft tunes and the chirping of the birds. It’s to be the Garden of Paradise  à la the Sheikhs and the Pashas.

Creation of Bettina and Heinrich Bunzel, the Botanikum is conceived to seamlessly blend together the humans, the art and the nature in an urban setting of North Western Munich. We too have good memories of the Playboy event in our green houses. It was one of our first big party at the Botanikum. Herr Bunzel fondly remembers, reminding me of the long forgotten details about the venue. The photos he was kind enough to send me shows how much planning and work went into preparing the two green houses for the events. The result is absolutely spectacular.

Invited are who’s who of the industry, pre-dominantly the top executives of Germany’s advertising world. The party is to impress upon them that the new & improved Playboy under Wolfgang Maier’s helm was just the right vehicle to showcase their luxury cars, higher end liquors and no-one can afford brands of watches, computers, electronic gadgets and other toys for the grown up boys.

We make our way to the venue, dressed formally in our evening best. The low tables and sitting on the pillows on the ground is not something we’ve anticipated. But the first hour or two are us standing, cooling our hands with the chilled glasses filled with champagne and other beverages. Scurrying around, serving drinks and appetizers are not the ubiquitous Playboy Bunnies, but equally as young, curvaceous and pretty women dressed in billowing multicolored loose and transparent pants, thin see through scarves wrapped around their heads like Gypsies and tight fitting tops over their bare midriffs like that of the belly dancers.  The band of them scuffling and delicately negotiating their prancing in the middle of us conjures up the image of the Houris – the sex slaves of the paradise, made to descend to the earth to entertain every whim of the men on earth and make themselves available in total submission. As Naomi Chambers describes in her article Houri – The Islamic Sex Slave In Paradise: When he (her master-husband) tells them to bend over – they must bend over. When he tells them to open wide – they must open wide.

They have hired professional models to do the job. The girls are obviously beautiful with near perfect bodies. Just like Ms. Chambers quotes from numerous Hadiths and Quranwhitish virgins, beautiful with tight transparent bodies, wide eyes, of the firm pointed breasts and permanently Brazilian waxed pussies. Their bling adorned curves make pleasantly soft jangling sound and throw back the blinding rays at the every move they make. There is a sudden hush in the air, appreciation even and wonderment. Probably because we are still in the process of deciding whether or not we like what we see. And if the tableau reflects what Playboy as a magazine and the lifestyle should project. Not to mention the misogynist message the event would communicate.

But we file away those thoughts because while we’re getting drunk without realizing and beginning to feel the chill in our bones, for the unseasonably cold air outside has permeated through the glass walls and it has suddenly turned cold and we’re all starving and yet there is no sign or whiff of the food wafting our way. They are having some logistical problems transporting our dinners from wherever and then having to keep it warm.

Now we are seated on the floor, cross-legged. Soon our legs begin to go numb and some of us begin to feel the cramps ripple all the way down to our feet. We wiggle and shift our weight from one hip to another – change positions. We try to keep each other amused for a long while before we see the Houris  parading down the aisles towards our tables with the large trays perched atop the palms of their hands. They are having hard time negotiating the open spaces and balancing the plates while trying to avoid tripping on the flowing fabric of their loose pants and managing not to be blinded by the scarves flailing over their heads. Absolutely amazing how they successfully avoid dropping one or more of the plates and gracefully place them on the barely two feet high tables.

We all take a collective breath of relief and like famished Neanderthals tackle the feed. Just to find out that the gourmet dinner was barely lukewarm. We gorge it down nevertheless – or could be that that we may have stopped at the City Hilton’s all night cafeteria and grabbed ham and cheese sandwich and beer? But I certainly didn’t.

By the time I make it to bed, it is four in the morning. Famished, disillusioned, jetlagged and absolutely drained, I immediately fall asleep. I have seven o’clock breakfast meeting with Mike and Ivan before I depart with Ivan on a several hours drive to Mariánské Lázně in Czechoslovakia and get ready for that night’s reception for Playboy sponsored fund raiser.

Charmed life indeed!

© Haresh Shah 2014

Illustration: Celia Rose Marks

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Next

CHRISTMAS BREAK FOR TWO WEEKS

Playboy Stories to return on Friday, January 09, 2015

TENDER LOVING CARE

The winter of 1983/84 in Chicago was as severe as the one we had in 2013/14. The mounds of snow on the ground. Constant sub-zero temperatures for days on end. The cars wouldn’t start. Our radiator freezes and cracks. And one of my office plants is frozen stiff.

 Haresh Shah

The Spookiness Of The Creative Mind

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It’s It the Easter Monday in Italy. I am on an over crowded train going back to Milan from Pontremoli. Everybody is returning from the long holiday weekend and as squeezed together as we are, I have managed to find a “comfortable” corner of my own where I get to stand for all three hours of the train ride without being crushed.

This is the first time I am alone face to face with myself since the fateful late Monday night of the week before. I am reading Andy Warhol’s autobiographical excerpts, while the conflicting thoughts rush through my mind, they collide with each other to the rhythm of the oscillating motion of the train piercing  through  the still night of the Italian country side.

I have just spent a very pleasant and a relaxing weekend with Rainer (Wörtmann) and his wife Renate in their newly acquired  old mill in Italian country side. It’s a beauty, standing proudly in a little village called Mulazzo near Pontremoli. It stands forlorn in the middle of nowhere, surrounded by a stream and rocks and a cluster of trees. The place is to serve as a retreat from their hectic lives in Munich. It also turns out to be a great and timely escape for me in the aftermath of the week before.

Lee (Hall) is smooth as silk when he tells me how great a job I had been doing, so much so that like any good manager, I had succeeded in eliminating my own position. It’s the night of Monday, March 24, 1975. Lee is doing his regular European stint. Bob (Gutwillig) has left the company and Lee is traveling with Richard Kopf, the new divisional VP. His note at the reception leads me to his suite 375 at Principe de Savoia, which is where we are staying.

‘How about some Scotch now?’ The offer I had declined earlier. Seems he have had a few already. I guessed he probably needed them before he could execute  a swift coup d’état. Shocked? Yes. Devastated?  No. All of a sudden, I see the word FREEDOM begin to flash in front of my eyes like on a digital billboard. This meant I could now write the book I have been wanting to for so long and go to California – the vacation I had planned to take the very week I took over the job at Playboy . Okay, I do end up spending a sleepless night. But am thinking about the ways this will change my life as I toss and turn.

Two days later, I return back to Munich with Lee and Richard. They are travelling in the first, of course. While standing in line at Milan’s Linate Airport, I run into Rainer, who is returning to Munich from his Italian country home. I don’t yet tell him about me having been fired, because Lee needs to inform the top Bauer management first. That evening. Rainer  and I end up having dinner at Le Cave.

The night after, I am deep in sleep when the door bell rings. Its around two in the morning. I hear Rainer’s slurred voice on the intercom.

‘I was out late and as I was driving home, it suddenly dawned on me that poor Haresh is jobless. What would he do now?’ I am touched. I assure him that I was doing fine and that how this break opens up so many exciting avenues for me. But Rainer seems to need to talk and so do I. We sit around until four in the morning, drinking Sambuca and listening to music.

I am not even sure if Rainer went home that night or just caught a wink at my place before we headed for the airport to catch the Milan bound morning flight and from there on drive to  Pontremoli.

●●●

The place is not finished yet, but its very livable with open fireplace and little nooks and crannies that make for ideal dining, cooking and sleeping spaces. The only snag that weekend is: it’s wet and it’s cold. We place the only available electric heater in the middle of us as we try to keep warm through the nights. I slide into my sleeping bag with all my clothes on. Including sweater and socks.

During the day, we meet up with Udo Wüst, an editor at the  German edition, and his wife, they too own a similar property in the area. The weekend is spent living the idyllic Italian country life. Leisurely and languid. Strolling and stopping  for coffee and cake at cozy little cafés and I remember eating one of the most delicious Italian meals at a local family restaurant. I fall in love with their signature dish Testaroli, a version of home made flat pasta which I had never tasted up until then and have not since then. It tasted and looked so much like Khata Dhokla, as whipped up by Mama Shah back home in Bombay.  As cold and wet as it is, most of the weekend we just sit around and play Backgammon and drink Calvados – the golden glow of which rushing through our veins help us keep warm. Entspannend, I wrote in my journal. Couldn’t have thought of a more relaxing way to spend my first weekend of  freedom.   

●●●

As I lean against the outer wall of the train, making myself comfortable, Andy Warhol now snuggly tucked back into my shoulder bag, I think of the thirty wonderful months of being a part  of Playboy, and how I had landed in Munich in the middle of the overt hostile environment and how along with Freddy (Baumgärtel), Rainer was the first one to warm up and work with me. We also began to socialize. Realizing my predicament with the vintage apartment I had taken over from Gerrit, him recruiting his wife Renate to help me find a place more to my liking.  In general, Rainer becoming my guardian angel. Us two, along with Heinz (Nellissen) in Essen, becoming a team.

●●●

We are sitting in Rainer’s office, drinking champagne at eleven in the morning. I watch the bubbles rise in the flute, Rainer asks: ‘So what did you think of my idea?’

‘Which idea?’

Because Rainer is an idea machine, hailed by Quick and Playboy Germany’s editorial director,  Heinz van Nouhuys as the wunderkind, because at the age 27, he has become the youngest art director of an international publication. . And also because Rainer says with all the modesty, maybe (because I was) talented? By then he already has under his belt, the experience of having done graphically progressive magazine Jasmin. He has also put in his time at DM and Zeitung in Stuttgart. And admirably, he doesn’t jump at the once in a life time opportunity when offered the position at Playboy. Instead he stipulates: I’ll fly to Chicago at my own expenses and meet with the art director of the “whole shop “and see if at all I can make it with my own graphic ideas. A meeting is arranged with Art Paul, the man who designed Playboy’s ubiquitous Rabbit Head and defined the magazine then and forever for its graphic excellence. And then Rainer calls back from Chicago, Well okay. I’ll start with you.

I no longer remember the exact illustration and the article about which we began to talk, but here is a scenario I just made up as an example. It would be pretty much true of the way Rainer “dreamt up” visual aspects of Playboy’s German edition.

‘You know the one about the illustration for the Maxim’s de Paris.’

‘The one (Franz) Spelman is writing?’

‘Yeah.’

‘What about it?’

‘You know, the werkdruck, the special stock four page cutout?’

‘Sorry, I don’t. Refresh my memory.’

‘You know the one where the first page would be the die-cut pop up of the façade of the Maxim’s, and when you turn the page, the spread shows the interior of the main floor of the restaurant with the page four crossing  over the opener, showing the chefs working in the kitchen?’

‘Sounds like a great idea. With an illustration like that, why would anyone want to read the article?’

Genau. You know? Plus does it make a difference? I mean, who cares what Franz has to say?’

I don’t say anything to that. We just look at each other with knowing smiles on our faces. Probably envious of the fact that Franz got such a plum assignment, staying at George V in Paris and eating at Maxim’s a few times during his stay there. If we knew Franz, he probably had one or two of the local lovelies accompanying him to the meals – all at Playboy’s expenses. Franz certainly knows how to live! A born bon vivant!!

‘I’m sorry my friend, but I don’t remember you ever telling me of your idea before.’

‘How can you forget? It was last night, when we were having drinks at Le Cave.’

‘Can’t be. Because I just flew back from Düsseldorf.’

‘You did?’ And he momentarily seems lost in his thoughts. ‘Must have been that I dreamt about it. But I swear, I remember even having drawn you a rough sketch on the Le Cave napkin.’

‘Must have been on another night. Do you have the sketch?’

He fumbles into his jeans pockets and then breaks out in a broad smile. ‘Verdamt noch mal, things I dream about! Anyways, let me draw it for both of us now.’ And he pulls out the blue lined calibrated spiegel – the format sheet – and begins to draw the façade of Maxim’s.

●●●

Working with Rainer is fun. He is easy going, but can at times also be insistent and blunt when called for. I am amazed at his perception and being able to see through things.

A year  after I arrive in Germany, I am planning a trip to India and am in need of several rolls of films. Instead of just going out and buying them, I am being cheap! It occurs to me that perhaps I can get a freebie pack from the photo department which is under Rainer. I pick up the phone and call him.

‘I was wondering if I could get a dozen rolls of Ektachromes from your stock.’ Not to sound too obvious, I add: ‘Maybe I can get them at the same bulk rate?’

Oder umsonst? – or gratis!’ He doesn’t miss a beat. In the laughter that follows I detect slight sarcasm in his voice. Touché! He has seen right through me.

I save the day by laughing it off with: ‘Das wäre eigentilich besser/‘ – that would obviously be better!

Laughing back he says: ‘Of course you can have them.’ But boy his oder umsonst? stung. So much so that I still remember it forty years later:).

●●●

While I am still living in Munich and pounding away relentlessly at my bright orange Triumph portable electric typewriter, writing my book tentatively titled The Lost Identity – Personal Reflections, Rainer blows me away with a very pleasant surprise. He offers for me to become Playboy Germany’s photo editor. Susi (Pletz) and Helga Colle-Tiez the two who ran the photo department up until then have given their notices to leave.

Rainer’s offer puts me in the whirlwind of conflicting emotions. I am flattered and I am emotionally overwhelmed. My mind begins to whirr with all sorts of special pictorial ideas, and the Playmates I would find and produce. Still living in Munich and working with Rainer and Freddy and Heinz, opening up a whole new horizon for my future. The offer puts me between a rock and a hard place. It hasn’t taken me too long to get over my job loss. In the meanwhile I am more than halfway through writing my book. And am dreaming of starting a magazine of my own with a real possibility of Celeste (Huenergard) – the young American woman working as editorial assistant to Donald Stewart, our Italian in-house editorial executive – partnering with me. She has been a big moral support following my termination, keep the chin up. We have shared many a meals together and have lingered in the evenings with Grappas. Boy she is beautiful. Rainer kept saying when we had stopped at the offices of the Italian edition on our way to his country home

So what do I choose? A bird in the hand or two in the bush? Rainer’s offer is so tempting that I really don’t know. For three sleepless nights I agonize over should I and or shouldn’t I? I am conflicted between the future I was beginning to envision and the future that’s offered to me on the silver platter. I am torn and tortured. I am tempted to accept Rainer’s offer and think later. Perhaps I take it for a year or two, defer my dreams for a while – I tell myself, Rainer doesn’t have to know. Things can always change, can’t hey? And I remember the wisdom imparted by Mr. Moore, while both of us laid next to each other at St. Charles Hospital in London; that in business, you should never let your left hand know what your right hand is doing. But that would be totally against my grain, and I want to be honest. I share with Rainer what I am thinking. Rainer wants me on indefinite basis, he has big plans for me.

At the end of those three nights of tossing and turning and having done some serious soul searching, I decline the offer.

© Haresh Shah 2013

Illustration: Celia Rose Marks

SISTER SITE

http://www.downdivision.com

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TABLE OF CONTENTS: Brief descriptions and direct links to the previous 37 posts.

Next Friday, August 30th, 2013

MY INTIMATE ENCOUNTER WITH EROTIC OYSTERS

How I Came to Like, No, Love Oysters? 

Oysters have been credited for their aphrodisiac qualities, but are also considered  visually erotic because of their succulent, raw, moist, tender and glistening look. And yet, I couldn’t for the life of me, see them in that context, let alone really put them in my mouth and savor. The story of my not so keen encounter with this most delicious of the fruit from the sea.    

Haresh Shah

 Why Even Go As Far As The Next Door?

pentaxLady2publish

‘So how’s your search for Playmates coming along?’ Asks Freddy as we run into each other in the hallway of the executive floor. Freddy is wearing his characteristic  grin which gives his natural dimples a couple of extra wrinkles.

‘Its coming along. I may soon have a couple of candidates to show you.’

Still grinning, he goes; ‘come on, don’t kill yourself. Just because you had to open your big fucking  mouth in front of your big American bosses!’

I grin back.

‘I tell you what! If you do find some, just have fun, fuck them and forget this Playmate business. You know, Chicago would never approve a German chick.’

At that, we both flash our cryptic smirks and go on to wherever we were headed. Me thinking that perhaps Freddy is still hoping that I was just trying to show off, trying to earn a few brownie points,  and nothing of substance would come out of it.  Soon that conversation at Neuer Simpl will be forgotten and he won’t have to worry about what must have seemed to him an enormous burden on his budget, let alone having to  undertake such an iconic photo shoot and then fail.

But little did he know, not only was I fired up but so was Rainer. This wunderkind had extra wheels turning into his already hyper creative head.  He had immediately briefed his photo editor Susi Pletz that we were looking for Playmate candidates.  All it took for them and for me, was to put out the word.

In Munich I had cultivated a sizeable circle of friends in a short span of months.  Among them, Britt Walker. The only one who frequented the night spots more than I did. This was also because he lived in the very heart of the  trendy Schwabing in the newly built and the most “in” dwelling complex, Fuchsbau.

Britt was an incredible magnet to women. I don’t know what his secret was, but he always showed up with a pretty young thing at least half his age, hanging on his arms, clinging and seemed to have madly fallen in love with him. Someone he would have introduced to us as Cersti, Gabriella, Karen, Amy, Marion and others — ones he had met the night before at Domicile, Tangente, Why Not or Yellow Submarine. Most of the girls he brought to my apartment were either already photo models, starlets or aspiring to be one or the other.  Now with the genuine Playboy hook, his modus operandi must have become even smoother.  I could just imagine him using a line such as: You’ve got to meet my good friend Haresh from Playboy. To his credit, I must say, he never misled or promised them anything – other than insinuating that as beautiful as they were, they just may have a chance of becoming  Playmates.  But mainly they came along because mine was an open house where friends felt comfortable walking in with a friend or two of their own. These visits would often turn into an impromptu party.  Nothing wild by any stretch of imagination. Hanging out, going out to eat and dance, stop at cafes and bars that were also art galleries, sit around for hours at the stammtisch – a  large table reserved for the regulars in good old German tradition – at one at one of our favorite wine lokals.

Britt came up with several girls. None of them quite qualified to be a Playmate. The first one he brought over was flat chested, the second had already posed in the nude, the third was cute but her breasts sagged,  and also there was something about her face that looked perpetually tired. Britt calling me up every so often and asking me to look at a Playmate candidate had started to irritate me.  Annoyed, I was about to put a stop to his assault on my time.  Just then he came up with a winner.

Barbara  – a strikingly pretty and yet easy-going, unpretentious Bavarian beauty, with an oval face. Tall, lithe curvaceous figure, a brunette with her hair floating down below her shoulders, and a set of penetrating brown eyes. What struck me the most about her was her mischievous innocence.  And she didn’t come hanging on Britt’s arm.  Accompanying her was her American boyfriend, Scott.

We were just starting out so there was no procedure in place. I knew, at the US Playboy they would just bring in the girl into the studio, place her on an existing set and do some Polaroids and test shoot a few quick rolls of films. I didn’t want to approach Freddy about how we would go about doing a test shoot. That would give him one more excuse to back out. But I mentioned it to Rainer who let me have a few rolls of Ektachromes cooling in the photo department’s refrigerator.  The less fuss we made about it, the better it would be.

My apartment in Munich was a spacious two bedroom fifth floor unit with wrap around balcony, facing North and West and the outer glass walls through which cascades of light filtered in.   And yet it offered total privacy of an attic with sky lights.  Even though I had studied photography and  was a serious amateur and in possession of semi-professional photographic equipment, I hadn’t any experience in doing  serious nudes, other than having done some hobby nudes of my friends Jan and Marilyn in Chicago years earlier.  Since what I was going to do was just a test shoot – should she be approved, we would have a professional photographer take over. So without much a do,  I pulled out my Pentax Spotmatic and various lenses from their black case and loaded the camera with one of the Ektachromes.

Unlike most other girls requiring a glass of champagne or wine to loosen up, Barbara was naturally relaxed.  She was completely at ease with her clothes off. She moved and laughed and made faces, came up with some good suggestions and good poses. I just put George Harrison’s All Things Must Pass on the turn table, placed her in the front of my bare white wall and let her dance to the music.  We shot two rolls.  The next morning I dropped off the films at the in-house lab for processing.

When the processed strips of the films were delivered to my office  that night, to my horror, they contained no more than washed out barely visible ghost images of Barbara. Absolutely bummed out, when I checked my camera, I realized that the battery powering  the light meter was dead, causing the needle indicating the exposure to be stuck. I had overexposed to oblivion in my brightly lit apartment.

Nothing I could do.

© 2012 Haresh Shah

SISTER SITE

http://www.downdivision.com

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Next Friday, December 14, 2012

SMUGGLING SMUT: Its one thing to work for the magazine banned in India. Quite an ordeal trying to sneak several copies of it past the customs. But how else could I show off my family and friends the product I was so proud of and had a part in making?