Archives for posts with tag: Mary Nastos

The Quirky Brilliance Of The Head Guru

Haresh Shah

mrspeak_02

I have just swiped my card and entered the sixteenth floor through the glass door. I see Arthur sitting by himself through the glass wall of his office across the atrium – the bank of offices we have come to call the fish tank, overlooking the square. I hurry to my office, remove my outer garments and pick up the phone and dial Arthur’s three digit inter-office number. Might as well get it out of the way before I chicken out. Having to call Arthur is something of an ordeal, because you never know what kind of mood you might catch him in. But there is nothing I can do about it. I am the one who needs him. Most of our telephone conversations would go something like this:

‘Good morning Arthur!’

‘What’s so good about the morning?’

Or

‘Hi Arthur. How are you?’

‘Why do you want to know?’

Or

‘Hi Arthur. This is Haresh.’

‘I know who you are!’

This has me flustered for a small moment. Both of us breathing on our side of the line. While I am still trying to form my next sentence, I hear his curt

‘Speak!’

Or

‘Hi Arthur, this is…’

‘What do you want?’

And when I try to explain the reason for my call, he would cut me off abruptly.

‘Come to the point. I don’t have all day to talk to you.’ The gruffness of his voice scratches the skin of my ears.

Sitting in my windowless office, I imagine the frown on Arthur’s face, his eyes squinting behind his thick Coke bottle glasses. And when I do get around to tell him why I was calling him, rest of our conversation is brusque.

‘Why do you want me to meet with a bunch of Hungarians and tell them what you have already told them?’

‘Because you’re the head guru.’ Or, ‘So that they can hear directly from the horse’s mouth!’ While I’m just a chela, I am thinking.

He is not in the least flattered.

‘Cut it out. Have Mary (Nastos) call me later and I’ll look at my schedule.’

Done! Whew! And I take a breath of relief. I am on the edge of my chair, but now push my butt backward and make myself comfortable before picking up the pile containing that morning’s faxes from the editions around the world.

Arthur, if  you are wondering, was the Editorial Director of Playboy magazine for the thirty of it’s first fifty years up until he stepped down in 2003. He had started at the magazine as an associate editor to A.C. Spectorsky in the mid-Sixties, he took on as its editorial director in 1972, the year I too had joined Playboy, stationed in Munich, Germany. I don’t remember ever having met him up until 1979 when I was brought to Chicago. Even so, in my job as the Production Director for the international editions – if not for Lee (Hall) having handed me the organizing of the annual international conferences, I would have no reason to cross paths with him. And eventually working my way into everything international publishing including assuming the same title as that of Arthur’s, the Editorial Director, albeit of the International Editions. But even years before it had fallen upon my shoulders to orient and train the creative teams of every new edition that were launched over the years, being one of the most frequently traveling members of the division – based on my sheer fondness and acquired knowledge of the magazine, I would end up answering questions that were way beyond the realm of my job description and the responsibilities. Something that didn’t go unnoticed – resulting in me eventually running the whole show.

During my early days in Chicago, one of my most important tasks was to do major in-house PR. International Publishing, then referred to as the Foreign Editions was tucked away on the ninth floor, which most everyone must have passed on their way to the production department without giving much of a thought to our existence. Some of the U.S. Playboy people may even have looked at us if not with some disdain than with indifference. To the most of them, we had become just THEM, the people who came bothering them wanting something or the other.

It took a while, but over a period of time, I was able to establish close working relationships with most of the top editors on the 11th floor. That is, except with Arthur. As much as I would have liked to have a pleasant and friendly working relationship with him, it wasn’t any consolation to be aware of the fact that neither of my two bosses, Lee Hall and Bill Stokkan were able to crack the hard shell that was Arthur. While Lee was quite reticent and tight lipped about it, I know that it frustrated Bill not being able to communicate with Arthur with both of their hair down and over a couple of drinks. I didn’t know anyone else who did. Bill once told me that on one occasion, he even went as far as approaching him at a party thrown by Christie Hefner for her top executives aboard a boat cruising Lake Michigan. Hi, my name is Bill Stokkan, I run the Merchandizing and Licensing division of the company. Unfortunately, to no avail.

‘Are  you kidding me? Him and Ed (Wattlington) get along famously. They even play tennis together!’ Tells me Karen (Abbott), my first heart throb in the U.S. when we worked together at Time, and coincidentally who now worked at Playboy along with Ed, both as photo lab technicians. Similarly, my assistant Mary had absolutely no problems communicating with Arthur. This was a sign of relief for me, because even though as a matter of protocol I would make the first call, Mary would take it over from there, sans any difficulty. And of all of my international editors, he got along famously with Holland’s Jan Heemskerk. Most every time that Jan came to Chicago or during the conferences, they made it a point to get out and hit some tennis or golf balls. I envied them, because I was never included in those soirées. I would often share with Jan my “conversations” with Arthur. He would find them funny. Somewhere along the line, we both came to refer to Arthur as Mr. Speak. And so it continues even today.

I have often wondered why? Because other than his exterior demeanor that can make you feel totally uncomfortable, when the time came, he always came through. He met with the editors, and once we were in his office, he never rushed us out. During the conferences, when he took the floor, he would be the most fascinating and precise speaker of them all. He knew Playboy inside out, from cover to cover. He would define for you the purpose and the philosophy behind every single page, rubrics, the graphic style, the focus of each article and fiction, the illustrations. Now that I think of it, even better than Hefner (Hugh M.) himself did. I have heard hours and hours of tapes of Hefner speaking to the first set of editors that came for the orientation, and spent a couple of days at his mansion in Chicago. Of course, who would know the magazine better than its creator? He was good and he was precise. But seemed a bit bashful when imparting the information. While Arthur was clearer and more emphatic, passionate even.

No one, not even the interview editor G. Barry Golson could define the tone of Playboy Interview  as clear as Arthur once did during a conference in Lake Geneva, Wisconsin in the early Eighties: over and above Playboy Interview tries to bring out the human face of the person being interviewed. If we were to interview Hitler, he would come out to be a sympathetic figure. You could hear the silent gasp from the editors.  Absolutely admirable, considering this coming out of the mouth of the born during the war time Jew. And he said of the anyone who still had any illusions about the magazine reflecting the current lifestyle of its publisher and therefore the young American males: No one aspires anymore to Hefner’s lifestyle. And I said to myself, right you’re, why would I want to live like Hefner in the self created gilded cage, if I could be sitting at a sidewalk café in Paris and sipping on my pastis, watching the world go by?

He was just brilliant when he spoke. He would be the star attraction of all of our conferences. And our personal relationships or lack thereof apart, I often said to myself that he never once hindered my ability to get closer to the people like Tom Staebler or Gary Cole, or any of his other top editors from devoting as much time as I needed of them. Why then not Arthur himself?

Well, one of those anomalies of life. Something you just accept. Things you accept about your dad or someone you respect, and resign to that’s just the way he is. And yet, I hated to be alone with him face to face. Because he would go without saying a word for the longest time. If not for the entire duration you are sitting across from him. Once I ran into him at my favorite fast food restaurant, Mama San, located in the Water Tower Place. Turned out to be his favorite as well. Seeing how crowded the place was and there was only one booth open, we end up parking ourselves across the table from each other.

‘The damn best fast food Japanese place in the city!’ Is the only thing I remember him saying during the whole twenty or so minutes it must have taken us to do justice to our food. We may have exchanged a couple of uncomfortable sentences at the very best. Realizing that he would not be the first one to blink, I somehow managed to live through those most uncomfortable moments.

The other time I found him towering over me on the other side of the partition in the bathroom of Playboy’s corporate offices. While we are both peeing, I sense his face turn over to mine and hear him utter:

‘You know, with the nose like that, you could be Jewish!’

‘I don’t think so, because my dad’s nose is much flatter. Perhaps I should check with the good old mom!’ I try to be humorous.

That’s as close as I ever got to Arthur.

On my last day at Playboy, Mary organized a going away party for me and invited everyone she could, especially from Chicago office. While everyone else had something to say; be it funny, sympathetic or just wishing me luck, I don’t remember Arthur having said anything that stuck with me. And yet, in the photos that Mary sent me afterwards, Arthur and I are posed together, he has his arm around me and both of us have on our faces the matching happy laughs. Uncharacteristically, Tom is standing next to us, looking a bit removed and looking sad and confused. I put the photo in my personal scrap book, the caption underneath reads: Is that a genuine smile Arthur?

That was the last I saw of Arthur up until three some years ago when Jan came to visit. We got together with some Playboy old-timers to reminisce the shared déjà vu. We meet up with Arthur at his favorite restaurant The Indian Garden on Chicago’s Devon Avenue. The best Indian restaurant on the strip! He proclaims. He is regular at the place and is made fuss over by the staff and the owner. He has now gone vegetarian and frowns at the sizzling Tandoori chicken being served. He has ordered Baingan Bharta which they specially prepare for him. Another proclamation comes: the best baingan bharta! I suppress the urge to say: have you tried the dish across the street at Udupi Palace? But I know better to keep my trap shut. With Arthur, it’s mostly him talking and you listening. And so it is during the lunch. Even so, if you pay attention to what he says, you are more likely than not to part with a feeling of having added something vital to your cache of knowledge. His very presence intimidated me, creating an atmosphere of speak only when spoken to. So it were Jan and Arthur conversing with me pushed in the background. But somewhere along the line, I got to interject and now having acquired distance of time, I confess, I was always intimidated by you.

‘You should have been.’ He answers and even though I would have liked to know precisely why, I leave it at that.

© Haresh Shah 2015

Illustration: Jordan Rutherford

SISTER SITE

http://www.downdivision.com

Other Profiles

FACE TO FACE WITH GABRIEL GARCÍA MÁRQUEZ

FACE TO FACE WITH JAN CREMER

DESIGNING IN HIS DREAMS

TRAVELING AGENT EXTRAORDINAIRE

ABOUT

TABLE OF CONTENTS

Next…

PLAYBOY STORIES ARE FOREVER

This post marks the 100th Playboy Story. When I began blogging them in the fall of 2012, I thought I had about twenty five stories to tell, at the most. And here we are… I still have a list of about a dozen more and can’t tell how many unlisted would pop up along the way. But the stories that don’t compel me to write, are the stories that are not yet ready to be told. Basically, stories tell themselves, an author is just a medium – the facilitator. For now seems they are going on to an indefinite hiatus. But I am sure one or more of them would pop up and compel me to return to the screen. Hope you all will still be there to receive them. In the meanwhile, I have some other writings that I want to do and the stories that I want to tell. Stay tuned.

Can’t thank each one of you enough for  your staying with me for almost three years and keeping me inspired and motivated to roll them out week after week. And you would agree with me that this blog wouldn’t have been as complete as I have tried to make it without my illustrative partners in crime, Celia and Jordan. I feel absolutely lucky to have stumbled upon them.

So long my friends until our wiedersehen.

Haresh Shah

A Touch Of Communism In The Capitalist Culture

tugowar2

In the fall of 1989 over the weekend of October, 6/8, Carolyn and I went to the Duneland Beach Inn in Michigan City, Indiana and returned with an agreement that the best course of action for us as individuals – to use the corporate cliché, going forward, was for us to go our own way. Not even a tiny blip on the world stage. That very weekend on October 7, Hungary becomes independent and on October 23rd, the acting President, Mátyás Szűrös declares the country a Republic in the public ceremony held in the same Kossuth Square where the first mass rally of the 1956 revolution was held.  The historic moment for which I happened to be in Budapest and along with the Hungarian  editors, would go to the square to hear the declaration proclaimed. We come back to the office and begin to put together the first issue of Playboy to come out a month later – the first of the three I would launch behind the iron curtain. On November 4, I turn 50 with a big fanfare and the nine liter Salamanzar  bottle of Lanson champagne, compliment of my boss and the friend Bill (Stokkan). The Berlin Wall falls on November 9th, the Velvet Revolution unfolds on Národní třída in Prague on November 17th, and in-between on the weekend of October 14/15, Playboy headquarters in Chicago move some three plus blocks south east  to 680 N. Lake Shore Drive from it’s imposing skyline presence at 919 N. Michigan Avenue. The Bunny Beacon that illuminated the Chicago skies for 23 years, is no longer and neither are the floor high letters PLAYBOY, lit bright.

I am not even in the town when the big move happens. Thanks to my most able and the efficient assistant Mary (Nastos) that I am moved into my new office and when I walk in a couple of weeks later, other than a few unopened boxes, Mary has found the new home for my stuff in a very organized way in the space I would occupy for the next four years. The office I have yet to see.

I park my car in the same building instead of a block away in a separate parking garage. I take the elevator first down to the lobby and switch to the one which would take me to the Playboy’s new headquarters on the 15th floor. I am dazzled by the cascade of natural and artificial light, the high ceiling and the U shaped railing up above, looking down at the receptionist a floor down below. Mounted on the wall on the west side of the reception area is a huge bronze sculpture of Playboy’s familiar Rabbit Head blinking at me with its left eye. Commissioned and created by the renowned Chicago sculptor, Richard Hunt. On the opposite side, in front of an expansive glass wall sits a slender, exotic looking dark skinned, very sweet and petite young woman, I have never seen before.

‘May I help you?’ She flashes a friendly smile, which is unconsciously seductive, her voice dripping with honey.

‘Oh yes! I am here – ur, I guess I work here!’

Soon I see in the background Mary coming down the steps of one of the two Terrazzo staircases.  At the first glance I perceive them to be  to be twin modernistic Spanish steps descending on to the either side of Piazza di Spagna in Rome. I see Mary rush towards the glass wall and yanking open the door on the side.

‘Welcome back,’ she gives me a hearty hug as the receptionist looks on.

Mona, meet my boss Haresh Shah.’ Mary introduces  me to the receptionist and takes me by the hand. ‘Let me take you to your new office.’

I am in awe of what I see as we approach the atrium. Instead of little shops and the stands found on a Piazza, I am face-to-face with a large oil on canvas portrait of Gloria Steinem, done by Chicago artist Ed Paschke, mounted on one of the panels, staring menacingly at me through her magenta colored glasses. Up the stairs on the wall facing us, I see a pair of giant red lips by Tom Wesselman, open wide in a hearty laugh, a set of perfectly aligned teeth sparkling. I also glance up at the  slanted modernistic metal canopies crowning the glass walls. The executive offices. Mary informs me, about what would come to be known as the fish tank. As we stop at the top of the floor, there is an office on my right, That’s John Mastro’s office. And the right outside begins the grey Steele railing that stretches over the expanse of the atrium, curved like  the shape of a luxury liner. Stunning!

Turning the curve, Mary  leads me to the section behind the lips; assigned to our group. Suddenly I am in the different world away from the glitz and the glamour of the areas surrounding the atrium and the executive offices.  It’s a large square space. Clustered in the middle are the work stations, mostly in blue with grey trimming. While most of the support staff sat outside the offices of their bosses at 919, here they each have their own work stations, separated by about six feet high soft padded partitioned walls. Over there is Bill’s office. She points to the closed door across what I will call the bullpen. And then there are other offices like fortresses to the support staff. This is where I sit, right outside of your office. She opens the closed door on her right, turns on the lights and lets me in.

I pause and stand at the threshold of my office and take it in. The floor is covered with bright royal blue soft padded rug, The bright white, perhaps 5000 Kelvin fluorescent tubes filtered through the chrome slated fixtures flood the room.  I am pleased that at long last, I’ve gotten the larger desk, the kind I had always wanted but never had an office big enough to justify having one. Unlike the beige marble desk top, this one has speckled black granite top. The base is the same with the filing and storage cabinets built-in as before, because it’s one of the same desks refurbished, in that instead of the natural oak stain, it is now painted black. It is flushed against the sidewall made up of the bright blue padded panels.  Behind the desk is wall-to-wall credenza – something I really love. A side of the desks had always been a small credenza meant for  typewriters. Which alas would become too small just in a year or so to accommodate desk top computers. The chairs too are the same, reupholstered and covered also with different fabric – now with either solid black or small black and grey pattern. On my right is a granite topped conference table, which is larger in diameter than the one I had. But no  couch for lounging during the meeting breaks.

Who got how big of an office and in which area and how each one of them would be furnished was determined by our corporate titles and the numeric personnel classifications. To be fair to everyone, a system had to be devised. It had to be just and egalitarian or at least to fit within our boss Bill’s definition of some people being more equal than others. Since there wasn’t going to be any natural light in our windowless offices, it became important to spruce up their interior  dressing.  Something we could choose. Sort of. So Sue Shoemaker, the Director of Corporate Administrative Services, stops by to see each one of us in advance of the big move.

‘What color wall paneling you like?’ Now the dirty brown cork walls to be replaced with the padded and fabric covered panels, to be used as before as our wall-to-wall bulletin boards. The choice was between bright red and royal blue. I chose  royal blue. Though I would get a larger desk, I had to choose between either a mini conference table and/or the couch.

‘I would like to have both!’

‘You can only have one or the other.’

‘I do have both of them right now.’

‘So I see. But with your position with the company, you’re entitled to only one of them.’

‘That’s new to me, but for what I do, I have a need for both of them. We have meetings all day long and it just makes it nicer to have a bit more relaxing couch when we break.’

‘Sorry, but we had to draw a line somewhere and only the Sr. VPs and above get both.’ I was only a VP.

What when and if I am promoted to be a Sr. VP? I want to ask, but stop short. Perhaps not a good omen. As it turns out, I am indeed promoted to be the senior VP within six months, but then the office I am assigned to is not big enough to accommodate both, and there is no provision for the expansion. Grudgingly, I accept what’s given to me.

‘Do you like your new office?’ Mary chirps.

‘I guess!’ She knows what I am thinking.

‘Well, I leave you alone to catch up with things. Welcome back again.’ And she closes the door behind her, leaving me feeling like a prisoner being lead to his cell and the door closed behind him. Feeling dismayed at not even a sliver of natural light peeking through, I try to forget it and settle myself at my new desk, pick up the piles of paper prioritized by Mary and begin with reading faxes that needed my immediate attention. The day slips by fast. Most everyone has left for the day, including Mary, leaving me behind still trying to catch up. Now with no need to keep the door closed, I am able to see out at the work stations outside. Even see a bit of the window at the farthest side of the hall, beyond which is Chicago’s pride and joy, Lake Michigan. The forbidden fruit for us.

When done for the day, I pack up and turn off the lights in my office. Suddenly its pitch dark in there, except for a bit of the light from the bullpen crossing in. On impulse, I put down my briefcase on the floor, enter back my office and shut the door. Never thought anything can be so dark. It feels like a cave with no opening. Closed in like a tomb. I hastily make my escape, and stop outside to look around at the exterior. While the atrium and other public areas and the conference rooms and the employee lounge are plastered with some of the magazine’s best art, none of the walls of our group have anything on their sterile white surfaces.

I approach Sue.

‘How about some artworks for our area?’

‘Its planned, but we just haven’t gotten around to it.’

‘How if I put up our own magazine covers that I had framed and hung outside our offices at 919?’

‘You can’t do that.’

‘Why not?’

‘Because everything has to be coordinated and in graphic harmony. I will talk to Tom (Staebler) (the art director) about it.’

Nothing for another couple of months. Either Tom didn’t have time or didn’t think we were important enough to deserve some of his fine illustrations. Or the discussion between Sue and Tom never  took place.

I broach the subject one more time and insist that what I really would like to do is for us to have our own identity and since I have already had those framed covers in my storage, why don’t I hang them up? If Tom comes up with something, we can always take them down.

‘Let me think about it!’ So she does. Still nothing. But I don’t let go and basically wear Sue out.

‘Okay, when Bill (the company carpenter) has some extra time, I will ask him to stop by and hang them up for you.’ That is almost like never.

‘I can do that myself!’

‘No, no, no. Its not your job. Should something happen, insurance doesn’t cover that.’

I want to scream, but instead say: ‘Well okay. Will wait for Bill to come by. Thanks’ And watch her turn her back and walk back to her office. I spend some time outside my office and scope the wall space I have and try to figure out how I can best display the framed covers on the walls available to me.

The next evening, its past six when I am certain that almost everybody is gone home, especially Sue, I pull out my measure tape, pencil, nails and the hammer that I have brought along from home. An hour and a half later, they are all adoring the International Publishing walls and suddenly those sterile looking white walls seem to have acquired colors on their anemic cheeks. I leave with a smile of satisfaction on my lips.

Late next morning, I see Sue walking past my office, stop and take in what I had done, I am not sure she even cared to look inside my office, but I see her shaking her head before walking away.

© Haresh Shah 2013

Illustration: Celia Rose Mark

SISTER SITE

http://www.downdivision.com

Other Corporate Stories

THE COMPANY POLICY

ALL ABOUT THE WILD PARTIES AT PLAYBOY

TO EXPENSE IT OR NOT

The Site

ABOUT

TABLE OF CONTENTS

Next Friday, September 13, 2013

ALL IN A DAY’S WORK

Imagine this! Puerto Vallarta, Mexico. The sun is shining bright, the sky is blue as can be and the waves of Banderas Bay rushing towards the shore to hug us – wet and warm and heavenly. We are conferring by the poolside, deciding on the next dramatic but a fun shot, with nine of the world’s most beautiful women. Lined up in the water by the edge of the pool, holding on to the long railing and ready to lift their bare butts in action.